这是一套由Kontakt加载的体积不大的鼓音色。大家可以尝试一下。官网了解一下哦：theunfinished.co.uk/shop/drumstruck-bundle/
Kontakt音色
音色大小：1.15GB
Drumstruck contains all four volumes of the percussion loop series and is the only place you still purchase 1 to 3. That means 325 loops with a gritty, dark percussive textures, including some mighty fine cinematic breakbeats.
Drumstruck 1 features deep kick loops, dynamic snick/top loops and crunchy breakbeats, reminisicent of Harry Gregson-Williams’ score to the film Phone Booth. Lots of lo-fi tension and dynamics.
Drumstruck 2 is more about louder, noisier, more distorted beats. If you enjoy the big cinematic beats of the likes of Harry Gregson-Williams, Linkin Park, Craig Armstrong or David Holmes, you’ll find something to use in this installment.
Drumstruck 3 has a little bit more crunchy darkness going on, with a focus on synth-based, techy loops and a bunch of saturation and gritty detail.
Drumstruck 4 is deeper and darker, and a much larger library than the others, with seven patches instead of the usual one – including some impacts and sfx. There are anlogue beats, digital drums and even some found sounds and custom acoustic recordings.
All 4 versions offer a wealth of dark, electronic beats and textured, glitchy breaks. There’s plenty of deep, kick-filled loops and crisp top-lines. All processed with my favourite compressors, EQs and distortion plug-ins. No effects, no frills. Just carefully programmed and produced beats, perfect for a wide variety of genres, including cinematic, electronic, rock and pop.
The Drumstruck series is a quick and easy way to introduce supporting loops to your music, dropping them in and out on the fly and combining loops to create new percussive textures.
Drumstruck 1 and 2 are in Kontakt 4 and Kontakt 5 format, whereas Drumstruck 3 and 4 is only in Kontakt 5 format. All the loops sync to your host DAW’s tempo.
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资源参数
- 分类：鼓组打击
这是一套由Kontakt加载的体积不大的鼓音色。
官网了解一下哦：theunfinished.co.uk/shop/drumstruck-bundle/ Kontakt音色 音色大小：1.15GB Drumstruck contains all four volumes of the percussion loop series and is the only place you still purchase 1 to 3. That means 325 loops with a gritty, dark percussive textures, including some mighty fine cinematic breakbeats. Drumstruck 1 features deep kick loops, dynamic snick/top loops and crunchy breakbeats, reminisicent of Harry Gregson-Williams’ score to the film Phone Booth. Lots of lo-fi tension and dynamics. Drumstruck 2 is more about louder, noisier, more distorted beats. If you enjoy the big cinematic beats of the likes of Harry Gregson-Williams, Linkin Park, Craig Armstrong or David Holmes, you’ll find something to use in this installment. Drumstruck 3 has a little bit more crunchy darkness going on, with a focus on synth-based, techy loops and a bunch of saturation and gritty detail. Drumstruck 4 is deeper and darker, and a much larger library than the others, with seven patches instead of the usual one – including some impacts and sfx. There are anlogue beats, digital drums and even some found sounds and custom acoustic recordings. All 4 versions offer a wealth of dark, electronic beats and textured, glitchy breaks. There’s plenty of deep, kick-filled loops and crisp top-lines. All processed with my favourite compressors, EQs and distortion plug-ins. No effects, no frills. Just carefully programmed and produced beats, perfect for a wide variety of genres, including cinematic, electronic, rock and pop. The Drumstruck series is a quick and easy way to introduce supporting loops to your music, dropping them in and out on the fly and combining loops to create new percussive textures. Drumstruck 1 and 2 are in Kontakt 4 and Kontakt 5 format, whereas Drumstruck 3 and 4 is only in Kontakt 5 format. All the loops sync to your host DAW’s tempo.