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Voxengo OVC-128 v1.3 [WiN, MacOSX]

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Team R2R | 02 October 2019 | WiN: 6.5 MB | MAC: 18 MB

home paqe :
https://www.voxengo.com/product/ovc128/

Voxengo is happy to release OVC-128, a massively-oversampled soft/hard clipping effect plug-in for professional music production applications, available in AAX, AudioUnit, VST and VST3 plug-in formats (including native 64-bit support), for macOS (v10.7 and later), and Windows computers.

OVC-128 is a massively-oversampled soft/hard clipping effect plug-in for professional music production applications. A common use for this plug-in is hard-clipping before the final peak limiter. This is an effective approach in contemporary electronic music when loudness is boosted using a clipper plug-in while minor excessive peaks are absorbed by a final peak limiter that applies no additional gain itself.

Clipping the tracks via OVC-128 is practically similar to clipping using high-quality outboard analog gear. At 44.1kHz source sample rate, the internal audio sample rate of OVC-128 is a whopping 5.6 MHz!

A perfect combination for contemporary electronic music production is OVC-128 followed by Voxengo Elephant mastering limiter in EL-C mode. This combination produces both energy and smoothness.

Note that OVC-128 is a relatively CPU-demanding effect plug-in, it requires a higher-end processor for comfortable use. Performing 128X-oversampled clipping on a single stereo track is computationally similar to performing simple clipping on 1000 tracks.

OVC-128 features:

128X linear-phase oversampling
Clipping hardness control
Stereo processing
64-bit floating point processing
Preset manager
Undo/redo history
A/B comparisons
Contextual hint messages
All sample rates support
38 ms compensated processing latency

Voxengo is happy to release OVC-128 version 1.3, a massively-oversampled soft/hard clipping effect plug-in for professional music production applications, available in AAX, AudioUnit, VST and VST3 plug-in formats, for macOS and Windows computers.

Version 1.3 adds the “residue” signal monitoring: a difference between the clipped and the original sound

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