P2P | 2020年8月23日| 298.80兆字节
想要真正掌握NI Massive吗？这套为时3小时的教程将带您从一开始就进行高级声音设计，向您介绍此功能强大的尖端乐器中包含的所有合成技术。该课程研究减法合成的所有主要阶段，涵盖振荡器，滤波器，调制器以及全局和插入FX。在探索了所有合成器部分之后，有一些关于预设制作的课程，将所有技术组合到一些实际示例中，以帮助学生将所有内容置于上下文中。
本课程中的
模块：模块1：简介和概述
介绍课程样式，并提供乐器的概述，涵盖三个主要显示区域，可在其中浏览，管理和编辑合成器预设。还提供了有关在独立模式下设置合成器的简要指南。
模块2：振荡器和噪声发生器
涵盖了Massive的声音发生器，它们是三个振荡器和噪声发生器，解释了每种发生器中可用的不同类型的波形以及如何对其进行编辑。除了演示每个控件的工作方式之外，还有一个示例，说明如何组合它们以创建简单的补丁。
模块3：过滤器
了解可用的不同类型的过滤器及其对声音的影响。还提供了信号通过滤波器路由的指南，显示了并联和串联设置的一些示例。
模块4：效果和路由
遍历了Massive上所有可用的效果，其中包括最流行的效果的更全面指南。说明如何将不同的效果应用于主输出以及信号路径中较早的各个点。
第5单元：调制简介-包
络从最常见的幅度包络开始，研究包络，包络随时间变化。然后继续介绍包络调制的其他一些经典用法，在这些用法中可以对滤波器频率和振荡器音高进行控制。
模块6：循环调制-
环形信封和LFO通过探索Massive上的连续类型（那些是环形信封和LFO）来继续研究调制。包括制作经典dubstep摆动低音的指南。
模块7：调制第三部分-步进器和表演器
贯穿Massive的2个板载音序器，展示了如何将它们用于创建各种令人难以置信的效果。还有一个制作自己的合唱的简要指南。
模块8：调制第四部分-调制振荡器
讲解可使用Massive的调制振荡器修改预设的一些不同方式。还演示了它提供的不同类型的合成和调制，包括FM（频率调制）和Ring调制，展示了如何创建一些经典且更多样化的声音。
模块9：附加的振荡器设置和发声
贯穿显示在中央显示屏中的所有其他参数，包括如何应用滑音和颤音，如何设置复音和连奏以及设置统一声音和键盘跟踪。
模块10：全局设置，MIDI控制等
通过解释到目前为止尚未涉及的其余控件和功能来绑住所有松散的结局，包括如何使用反馈和旁路电路，如何堆叠调制和应用侧链调制，如何设置宏和其他性能调制器作为整体的全局设置。
模块11：制作胖低音预设
给出一个实际示例，说明如何应用教授的许多技术来制作胖低音预设。
第12单元：制作多层预设
通过演示如何将其同时用于制作鼓，低音和主奏部件以制作房屋凹槽，来展示Massive的全部潜力。
P2P | 23 August 2020 | 298.80 MB
Want to truly get to grips with NI Massive? This 3-hour set of tutorials takes you from the very beginning right through to advanced sound design, explaining all of the synthesizing technology included in this powerful, cutting-edge instrument. The course delves into all the main stages of subtractive synthesis, covering the oscillators, filters, modulators and global and insert FX. After all of the synth sections have been explored, there are some lessons on preset making, combining all of the techniques into some practical examples to help students put everything into context.
Modules in this course:
Module 1: Introduction and Overview
Introduces the Course Style and provides an overview of the instrument, covering the three main display areas, where synth presets can be browsed, managed and edited. There is also a brief guide to setting up the synth in standalone mode.
Module 2: Oscillators and Noise Generator
Covers Massive’s sound-generators, those being the three oscillators and noise generator, explaining the different types of waveforms available in each, and how they can be edited. In addition to demonstrating how each control works, there is an example of how to combine them in order to create a simple patch.
Module 3: Filters
Teaches about the different types of filters available and the effect they have on the sound. Also provides a guide to the way signals can be routed through the filters, showing some examples of parallel and series setups.
Module 4: Effects and Routing
Goes through all of the effects available on Massive, including a more comprehensive guide to the most popular ones. Shows how different effects can be applied to the main output, as well as various points earlier in the signal path.
Module 5: Introduction to Modulation – Envelopes
Takes a look at envelopes, starting with the most common type, the amplitude envelope, which changes the level over time. Then moves on to some other classic uses of envelope modulation, where filter frequency and oscillator pitch are manipulated.
Module 6: Cyclic Modulation – Looped Envelopes and LFOs
Continues looking at modulation by exploring the continuous types featured on Massive, those being looped envelopes and LFOs. Includes a guide to making the classic dubstep wobble bass.
Module 7: Modulation Part III – Stepper and Performer
Runs through Massive’s 2 onboard sequencers, showing how they can be used to create all sorts of incredible effects. There is also a brief guide to making your own chorus.
Module 8: Modulation Part IV – The Modulation Oscillator
Teaches some of the different ways Massive’s modulation oscillator can be used to modify a preset. There is also a demonstration of the different types of synthesis and modulation it provides, including FM (frequency modulation) and Ring modulation, showing how to create some classic and more diverse sounds.
Module 9: Additional Oscillator Settings and Voicing
Gives a run through of all the additional parameters featured in the central display, including how to apply glide and vibrato, how to set up polyphony and legato, and also the setting up of unisono voices and keyboard tracking.
Module 10: Global Settings, MIDI Control and more
Ties up all the loose ends by explaining the remaining controls and features not covered so far, including how to use the Feedback and Bypass circuits, how to stack modulation and apply sidechain modulation, how to set up the macros and other performance modulators, as well as a whole host of global settings.
Module 11: Making a Fat Bass Preset
Gives a practical example of how to apply many of the techniques taught in order to produce a fat bass preset.
Module 12: Making a Multi-Layered Preset
Shows the full potential of Massive by demonstrating how it can be used to simultaneously produce drums, bass and lead parts, in order to make a house groove.
home page:https://www.producertech.com/staff-picks/35/complete-guide-to-ni-massive
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