P2P | 2020年10月10日| 256.07兆字节
“周日场景”最初是在各个场所（包括加斯俱乐部，大象与城堡和拱门）在一系列周日上午的聚会之后开始的，“周日场景”开始并开创了伦敦最具文化意义的音乐场景之一。尽管从DJ的工作开始（几乎是唯一的），美国音乐大师和MK之类的人在室内进行录音和配音，但他们以更快的速度播放这些唱片，创造了重新振奋流浪者的必要能量和流程。 （大部分时间）整夜都在声音部的马路对面。
总共有超过250种声音，包括重音的风琴，重采样的琴键，沉重的低音提琴，嘎吱作响的模拟踢和忙碌的踩groove凹槽，所有这些声音仅含适量的12位污垢。不要指望干净，原始的音频-沙哑，嘶嘶声和噪音是重新创建90年代中期模拟工作流的一天的习惯，并且由各种内部硬件提供，其中包括Akai S3000，Roland SP- 404A和我们值得信赖的MPC。
在将来的系列中，我们将探索更具音乐性，福音风格影响的美国房屋和泽西岛的声音，以及诸如Nice N Raw之类的知名唱片的开创性声音，但本版本重点关注ruffer裁剪式调音颠簸的低音线条赋予了这个时代鲜明的“伦敦态度”和明确的英国氛围。
P2P | 10 October 2020 | 256.07 MB
What initially started as a series of Sunday morning after-parties at various venues including The Gass Club, Elephant & Castle, and The Arches, the ‘Sunday Scene’ kickstarted and pioneered one of London’s most culturally important music scenes. Although to begin with the DJ’s were spinning (almost exclusively) US house tracks and dubs by the likes of Masters at Work & MK, they played these records at a much faster tempo, creating the essential energy and flow needed to re-invigorate ravers who’d (mostly) been across the road at the Ministry of Sound all night.
In total, there are over 250 sounds comprising vibe-heavy organs, resampled rompler keys, weighty sub-basses, crunchy analogue kicks, and busy hi-hat grooves, all with just the right amount of 12-bit dirt. Don’t expect clean and pristine audio – grit, hiss, and noise is the order of the day when recreating the analogue workflows of the mid-90s, and comes courtesy of various in-house hardware which includes an Akai S3000, Roland SP-404A and our trusty MPC.
In future collections to complement this one, we’ll be exploring the more musical, gospel-influenced US house and Jersey sounds as well as the seminal sounds of prominent labels like Nice N Ripe, but this edition focuses on the ruffer cut-up riddims and bumpy basslines that gave this era it’s distinct ‘London attitude’ and unmistakable UK vibe.
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